Bridal gowns: It's all about the neck

COVERED UP: Need coverage for the ceremony but

COVERED UP: Need coverage for the ceremony but not the reception? Carolina Herrera's novel silk mikado gown morphs from modest to mod with a removable lace blouse that tucks into the bodice. At Carolina Herrera New York, $6,990. Call 212-249-6552. (Credit: Dan and Corina Lecca)

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APPLIQUÉS: Light-as-air organza petals are appliquéd to a Bridal gowns

Sure, you can walk down the aisle in a classic strapless gown, which, for the past decade or two, has been as much a wedding staple as vanilla butter cream on the cake and hydrangeas on the tables. But if ever there was a season to break out of the standard strapless mold, spring 2012 is it. Come on, take the plunge, with a neck (or back) cut down to here. Or boost it up to there, with a sleek, high bateau or even higher turtleneck.

High, low and everywhere in between, this season's most buzzed-about gowns are all about the neck -- and anything but strapless.

"The neckline and bodice are the most important features of a wedding gown," says Nancy Aucone, co-owner of The Wedding Salon of Manhasset. "The neckline is the focal point because it frames the face and is the first part of a gown that is seen."

Like much in fashion, wedding dresses are taking their cues from the red carpet. And, these days, the Hollywood stars who consistently top "Best Dressed" lists are the ones who leave the strapless gowns in the closet and step out in more fashion-forward designs. At last month's Golden Globes, Angelina Jolie, for instance, dazzled in a white Versace sheath whose red portrait collar matched her crimson lips, while Claire Danes amped up the glam quotient in a high-neck black-and-white J. Mendel with a stunning open back.

And Sofia Vergara dazzled at last year's Emmys in a one-shoulder coral gown by Vera Wang -- who started her own mini-revolt against the strapless wedding dress in 2009 when she created a high-necked look for Ivanka Trump and noted that she would be thrilled to see a trend toward the covered-up. "Nothing would make me happier," Wang said at the time. "I've been doing strapless for 15 years. It's tiring."

There's already evidence that celebrity brides are selecting gowns with unique neckline detailing. For her wedding last July, Kate Moss wore a '20s-

inspired design by John Galliano that featured an illusion V-neck embellished with silver beads; Molly Sims' Marchesa gown had a high illusion jewel neck trimmed with lace and finished with delicately fluttering sleeves. (The Marchesa gown is part of the designer's spring 2012 bridal collection.)

And while tradition dictates modest gowns for royals, Kate Middleton and Charlene Wittstock, the bride of Prince Albert II of Monaco, both chose anything-but-stodgy necklines: Kate's classic V and Charlene's origami-style portrait neck both nodded to the modern while still covering their décolletage.

So how do you find the right neckline for you? First, determine whether you want something demure (a religious ceremony may require a modest gown) or a more sensual look. Do you want a neckline that will de-emphasize a large bosom or enhance a small one? Imagine your face as a portrait, then look for a neckline that flatters the shape of your shoulders and properly frames you. Remember that no matter what the neckline -- straight, asymmetrical or plunging -- an embellished finish will become the focus of attention.

Of course, the options can be dizzying. "We are seeing silhouettes ranging from one-shoulder gowns to long illusion sleeves and everything in-between," says Julie Sabatino, owner of The Stylish Bride, a bridal fashion styling company in Manhattan. "Non-strapless dresses are gaining popularity and have picked up momentum since Kate Middleton chose a long-sleeve lace V-neck gown and celebrities like Lauren Bush and Ivanka Trump opted for non-strapless dresses."

For spring, designers are adorning necklines and fabric straps with everything from floral appliqués to beading and lace; they're draping tulle asymmetrically and even creating peek-a-boo and three-dimensional designs for the fashion-forward bride. Carolina Herrera took a unique approach, showing a strapless gown paired with a removable V-neck lace blouse to be worn under the dress, perfect for brides who want a bit more coverage.

For the bride searching for a sexy wedding-day look, there is no shortage of plunging V-necklines -- which Sabatino says will both flatter your décolletage and highlight your face. Perhaps the most daring: several to-the-navel V's by Badgley Mischka and Reem Acra.

And it's not just front necklines that are making bold statements. "Brides are beginning to take fashion risks by moving away from the typical clean back," says fashion editor and stylist Erica Sigel. "Unique back lines add an additional dimension to a wedding dress."

Forget the traditional scoop, straight, keyhole or V-line back. This season, designers are adding intricate detailing that can make a back as sexy or soft as you want it to be. "Backs covered in tulle or lace offer complete coverage while still being revealing," Sigel says. "Embellishments such as fabric flowers or petals, beading and embroidery will draw wanted attention to a sexy, toned back."

As anyone who's watched even one episode of "Say Yes to the Dress" knows, designer Pnina Tornai is the queen of the va-va-voom wedding gown, many of them sheer, bejeweled and cut down to here in front -- and in back. For spring, she's ramped up the glam quotient, with a number of back-baring styles featuring "necklaces" of pearls and crystals draping from shoulder blade to waist.

Need something a bit more modest, but still want sexy? Marchesa's illusion-back gowns embellished with embroidery should fit the bill. The sheer tulle gives the impression of nudity while the silver bullion appears like an elegant tattoo.

"Because we've been in a strapless cycle for more than 15 years, it was so refreshing to see a sleeve again and an on-the-shoulder neckline," says Mark Ingram, owner of the Mark Ingram Atelier in Manhattan. "But what designers did was not to replicate the old-fashion long-sleeve high-neck look and instead created very sexy, very sheer, very interesting and very red-carpet looks."

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